Nolan Hall’s documentary photos of professional surfers are distinguished in part for their decided disinterest in the action unfolding in the ocean. Rather than train his camera on riders on waves, Nolan’s focus is on the antic and anarchic life of the traveling professional—on land, plane, train and every other means of conveyance. Life on tour, with the music turned high. Nolan’s work has appeared in Monster Children, Desillusion, Juxtapoz, Surfer Magazine, Foam, Blue, Nalu, and Rolling Stone; commercial clients include RVCA, Raen Optics, Vans, Captain Fin, and Gato Heroi.